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Greece’s copyright landscape has shifted dramatically for anyone building or deploying AI systems that ingest protected content. Law 5179/2025 strengthened collective-management-organisation (CMO) presumptions, introduced tiered administrative fines for online piracy, and clarified how text-and-data-mining (TDM) exceptions interact with cultural-heritage materials, making AI training copyright Greece compliance an immediate priority. The reforms build on Greece’s foundational copyright statute, Law 2121/1993, and complete the country’s transposition of the EU Digital Single Market (DSM) Directive 2019/790. This guide delivers the step-by-step licensing workflows, contract templates and risk-mitigation checklists that AI developers, museum curators and publishers need to operate lawfully under the new regime.
Who must act now:
Yes, in almost every commercial scenario you need a licence or confirmed exception before using copyrighted works to train an AI in Greece. The narrow TDM research exception (transposed from Article 3 of the DSM Directive) applies only to lawfully accessed works used by research organisations and cultural-heritage institutions for scientific-research purposes. Commercial AI training falls outside that safe harbour unless the rights-holder has not exercised an opt-out under Article 4 of the DSM Directive, as transposed into Greek law. Even where a TDM exception might technically apply, CMO presumptions Greece now allows collecting societies to presume they represent rights-holders for licensing purposes, shifting the practical burden onto the data user.
| Entity type | Default position | Immediate action required |
|---|---|---|
| AI firm (commercial) | Licence required unless confirmed Art. 4 TDM exception (no opt-out by rights-holder) | Conduct rights audit; negotiate CMO or bilateral licences |
| Publisher / rights-holder | May license or opt out; CMO may act on your behalf | File opt-out declarations; review CMO mandates |
| Museum / cultural institution | Art. 3 research exception may apply for non-commercial research; in-copyright works still need clearance | Classify collection by rights status; draft access-licence templates |
Greece’s copyright framework rests on Law 2121/1993, which has been progressively amended to transpose EU directives, including the DSM Directive (2019/790), into national law. The 2025–2026 reform cycle, anchored by Law 5179/2025 and subsequent ministerial decisions, represents the most significant update for anyone concerned with permissions for AI training on Greek soil.
| Date | Legal change or obligation | Primary impact |
|---|---|---|
| 1993 (as amended) | Law 2121/1993, Greece’s core copyright and related-rights statute | All stakeholders |
| June 2019 | EU Directive 2019/790 (DSM Directive), Articles 3 & 4 TDM exceptions; Article 17 platform liability | AI firms, publishers |
| 2025 | Law 5179/2025, strengthened CMO presumptions; expanded enforcement powers; clarified TDM scope for cultural-heritage materials | Publishers, AI firms |
| 2026 (ongoing) | Ministerial decisions and OPI guidance implementing tiered administrative fines for online piracy; further regulatory detail on dataset transparency | All stakeholders |
Under the strengthened CMO presumptions Greece regime, collecting societies such as AEPI (music), OSDEL (literary works) and OSDEETE (audiovisual) can approach AI developers and assert licensing authority over datasets that include works within their repertoire, without needing to prove an individual mandate from each creator. The likely practical effect is that AI firms will receive licence demands from CMOs first, before any individual rights-holder contacts them directly.
This matters because the burden of rebuttal now rests on the data user. If a CMO claims you have ingested protected works, you must demonstrate either that the works are not in the CMO’s repertoire, that a valid TDM exception applies, or that you already hold a bilateral licence directly from the rights-holder who has opted out of CMO representation.
| Licensing route | CMO blanket licence | Publisher bilateral licence | Direct creator licence |
|---|---|---|---|
| Coverage breadth | Wide, entire CMO repertoire | Medium, specific catalogue | Narrow, individual works |
| Negotiation complexity | Standardised tariffs; less flexibility | Moderate; bespoke terms possible | Highly flexible; slower to scale |
| Presumption risk | Low, CMO presumption satisfied | Medium, must prove opt-out from CMO | Higher, must rebut CMO claim per work |
| Best suited for | Large-scale, multi-work datasets | Curated, publisher-specific corpora | High-value or unique works |
Successfully licensing datasets for AI training in Greece requires a structured approach that begins well before any contract is signed. The checklist below covers the full lifecycle from data inventory through to termination and audit.
When negotiating with publishers, early indications suggest the most contested clauses involve sublicensing (publishers resist broad sublicensing to third-party model developers) and output liability (who is responsible if a trained model reproduces substantial portions of a licensed work). Museums, by contrast, tend to focus on attribution obligations and restrictions on commercial exploitation of cultural-heritage imagery. Both categories of licensor benefit from clear withdrawal mechanisms that allow them to remove works from future training cycles without unwinding earlier model weights.
Cultural heritage copyright Greece rules create a layered rights landscape that museums must navigate carefully before granting any AI developer access to their digitised collections. The core distinction is between works in the public domain, where the underlying copyright has expired, and works that remain in copyright. Even where the artwork itself is in the public domain, photographs and digital scans of that artwork may attract separate copyright protection for the photographer or digitisation technician under Greek law.
Museums should adopt a three-step policy before permitting any AI training on their holdings:
Consider a museum holding 10,000 digitised photographs of Byzantine artefacts. The artefacts themselves are centuries old and clearly in the public domain. However, the photographs were taken by a contracted photographer in 2018 and remain in copyright. Before licensing these images for AI training, the museum must either (a) confirm that the photographer’s contract assigned reproduction and adaptation rights to the museum, or (b) negotiate a separate licence with the photographer. Where the contract is silent on machine-learning use, as most pre-2020 contracts will be, a fresh agreement is essential. The risk matrix below helps institutions prioritise clearance efforts.
| Risk level | Scenario | Recommended action |
|---|---|---|
| Low | Public-domain work; digitised in-house; no third-party claims | Proceed with standard access licence |
| Medium | Public-domain work; external photographer; contract silent on AI use | Negotiate supplementary licence with photographer before granting access |
| High | In-copyright work; CMO representation likely; donor restrictions | Obtain CMO or bilateral licence; review donor agreement; consider excluding from dataset |
Robust technical controls are not merely best practice, they are the evidence base that will determine whether an AI firm can successfully defend its dataset against a CMO claim or an enforcement action. Operational compliance for AI training copyright Greece encompasses four pillars.
In any enforcement scenario, the copyright holder must generally show that the AI system had access to their work and produced substantially similar output. To rebut an access claim, an AI firm should be prepared to produce: (a) the complete dataset manifest showing provenance for all ingested works, (b) licence or exception documentation for each work, and (c) technical logs demonstrating that any works removed following a withdrawal request were purged from active training data. Maintaining these records in an auditable, timestamped format is essential.
The 2025–2026 reforms significantly escalated the consequences of non-compliance. The Hellenic Copyright Organization (OPI) can now impose tiered administrative fines for online piracy fines Greece without requiring a court order, and CMOs have strengthened standing to pursue civil claims for unlicensed commercial use of copyrighted datasets.
Enforcement actors include OPI (administrative fines and injunctions), public prosecutors (criminal proceedings for wilful large-scale infringement) and CMOs themselves (civil claims for damages and licence fees). Rights-holders may also seek interim injunctions to halt ongoing AI training that uses disputed works.
Mitigation strategies include maintaining comprehensive dataset documentation (as outlined above), responding promptly to CMO notices, carrying professional-indemnity insurance that covers intellectual-property disputes, and implementing a notice-and-takedown protocol for disputed works.
Whether you are an AI developer, a museum curator or a publisher, the following roadmap translates the legal requirements above into concrete operational steps.
The following plain-text clause snippets are starting points for negotiation. They should be adapted by qualified counsel to reflect each transaction’s specific circumstances.
This article was produced by Global Law Experts. For specialist advice on this topic, contact Miranda Theodoridou at Dr. Helen G. Papaconstantinou and Partners Law Firm, a member of the Global Law Experts network.
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